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Music Production and Recording Research II MPR502


Course description for study year 2021-2022. Please note that changes may occur.

Facts
Course code

MPR502

Version

1

Credits (ECTS)

15

Semester tution start

Spring

Number of semesters

1

Exam semester

Spring

Language of instruction

English, Norwegian

Offered by

Faculty of Performing Arts, Faculty of Performing Arts

Learning outcome

Students completing Music Production and Recording Research MPR502 will have gained specialised knowledge of a personally selected research topic, allowing them to apply their findings in their professional careers.  

Knowledge and understanding

  • Students will possess knowledge of concept development and project management in relation to music production research.
  • Students will understand and can reflect upon concept development and project management and can identify challenges in relation to music production research.

Skills

  • Students will master music production-related research methods, tools and modes of expression, and general skills relating to reseaerch within the discipline.
  • Students can communicate and discuss issues relating to music production.

Competencies

  • Studenst can manage research that is complex and that may require new modes of expressions.
  • Students are able to take independent responsibility for his or her own professional research and development. 
Content
This course covers aspects of music production and recording, building on the knowledge gained in MPR 501- Music Production and Recording Research 1. The course allows students to continue their investigation of current developments in music production and recording.
Required prerequisite knowledge
MPR501 Music Production and Recording Research I
MPR501
Exam
Form of assessment Weight Duration Marks Aid
Research project in music and sound 1/1 A - F

Students are required to present a research project in music and sound along with supporting document.

Course teacher(s)
Course coordinator: Mark William Drews
Course coordinator: Zachary James Bresler
Programme coordinator: Lena Crosby Haug
Method of work
Individual study supported with individual guidance, group lectures, and master classes.
Open for
Graduate studies in Music Production and Recording
Course assessment
Students are required to present a research project in music production and recording with A-F grading of their final presentation and supporting documentation.
Literature
The syllabus can be found in Leganto