Master's Degree Programme in Performing Arts - Part time

• Admission to Master's Degree Programme in Performing Arts is processed locally at the faculty
• Apply through SøknadsWeb and submit the Specification form within 15. December
• Check the admission requirements
• All necessary documents and the Specification form must be submitted within the deadline. Please see below for more information
• When you have submitted an application in Søknadweb, you can find the link to the Specification form in the application receipt. The link can also be found in the confirmation e-mail sent from Søknadsweb
• Incomplete applications will not be evaluated for admission
• All applicants applying to Master's Degree in Performing Arts must complete 2 rounds of entrance exams
• Round 1 consists of submitting a project description, as well as a self-produced video recording for music applicants. Round 2 is carried out on Campus Bjergsted in Stavanger in week 10. Round 2 is only for applicants who has passed round 1
• Applicants who have sucessfully submitted the Specification form, will shortly after the application deadline receive an e-mail with information on how to submit the project description and video
• Deadline to submit project description and video is 15. January
• Music applicants: Share project description and video links, as well as a review of what the video is containing. In addition, you share a complete audition programme for a possible round 2 together with accompanying sheet music
• Both round 1 and round 2 must follow established repertoire requirements, as well as spesifications for project descriptpion and video submission. For more information, please read Repertoire requirements Master and Round 1 - Submission of procjet description and self-produced video
• The result of the assessment of round 1 will be shared by e-mail in January/February
• If you pass Round 1, you will be invited to round 2 by e-mail to Campus Bjergsted in week 10. Round 2 consists of an entrance exam and interview with the assessment comission and the study administration.
  Read more about round 2 in the article Round 2 - Entrance Exam and Interview on Campus in Week 10
• Applicants with a residence outside of Norway, Sweeden or Denmark may choose to carry out round 2 digitally instead of meeting on our campus in week 10. For more information, please read Repertoire Requirements Master.
  NB! Does not apply for applicants to conducting!
• The result of your application will be published in Søknadsweb no later than the end of week 11 and 12

• Higher Secondary School - Diploma and transcript of record
• Diploma and transcript of record from bachelor's degree in either music or dance
  Notice: If the documentation is not in Norwegian, Danish, Swedish or English, it must be officially translated into English. Both translations and originals must be uploaded in the same PDF file
• Passport copy/Documentation of change of name - Upload only the page with the photograph and name. The passport must be valid at the time of application. If you have changed your name, please provide this documentation in the same PDF file
• English language requirement - Upload the official score report as a PDF file. Read about the language requirements here.
  Notice: If you plan on taking the test during spring - Upload a copy of your test registration receipt with ETS TOEFL/IELTS Academic/PTE Academic/Cambridge English Qualifications within the application deadline
• Documentation of Financing (only required for non- EU/EEA applicants)
• Certificates and references if desired

If you have not yet graduated:

Please upload a confirmation from your place of study stating completion of bachelor degree during the spring semester together with a preliminary transcript.

File format:

We want you to use the PDF file format. All attachments you upload should be of your original documents (do not scan copies).

Notice! A check of the original diploma and transcript may be initiated at the beginning of the term.

In addition to submitting required documents to Søknadsweb, you must also complete and submit the electronic Specification form within the deadline.

Submitting the electronic Specification form is mandatory for all study programmes at the Faculty of Performing Arts! Incomplete applications will be not be considered for evaluation and will be withdrawn from the application system.

You can find the link to the Specification form in the application receipt from Søknadsweb. The link can also be found in the confirmation e-mail sent from Søknadsweb.

If you submit multiple Specification forms, the last submission will be prioritized during application processing.

Specification form - What to submit?

• Personalia - name, address, phone etc.
• CV - information about your musical and educational career
• Motivation letter
• List of repertoire; 120 minutes (only applies to applicants applying to the classical field)

Repertoire list - 120 minutes

Master applicants - Classical:

Classical applicants must share a repertoire list for the main instrument of their choice in the Specification form. It must show and document that you have reviewed works with a playing time of at least 120 minutes, including at least 30 minutes of chamber music.

Master applicants - Conducting:

Conducting applicants must share a repertoire list for the main instrument of their choice in the Specification form. It must show and document that you have reviewed works with a playing time of at least 120 minutes.

For master's applicants for both music and dance, round 1 consists of submitting a project description for the desired master's project. Applicants for music must also submit a self-produced video for assessment of their performance level.

You share the project description and video links in a separate online form. You will receive the link to the form in a separate email from the case officer shortly after the application deadline.

Deadline to submit project description and self-produced video: 15. January

Project description - Summary of the desired master project

Like the study programme in general, the master's project is performative in its core and identity. It should revolve around the student's main discipline. The applicant may formulate the project within a wide range of possible themes and focus areas.

In music, the project may shed light on technical, stylistic or performance practice issues, deal with a particular genre, historical era, performer or composer, or be more creatively, conceptually or pedagogically orientated. It can be traditionally or experimentally orientated.

Similarly, in the field of dance, the project may involve practices such as improvisation, performance, repertoire, choreography, community outreach, somatics, various dance genres, pedagogy, dance for children and young people, visual or textual practices.

Via your project, you can also apply with a composite or dual main discipline. To be admitted, you must demonstrate a sufficient level in both sub-disciplines in the practical test.

Regardless of what you choose, your project should have a certain exploratory character or research focus in addition to the performative part. What do you want to find out? What field would you like to explore?

The following parts must be included in the project description:

• Title and repertoire/material – the material you want to work with
• A summary of what you want to explore, what questions you ask yourself and your material
• What approach and method you want to have in your work with and development of the project (here you can optionally also state sources and references that deal with what others have done in related works)
• Suggested theoretical framework (to be developed further in dialogue with supervisor)
• How you envision the final presentation of the project in the final exam of the course
• What goal or outcome you envision, and a preliminary conclusion (a kind of hypothesis)

The summary may contain images or other visual elements that support or are part of the project.

Length: The project outline must not exceed 800 words.
Accepted language: English or Scandinavian (Norwegian, Swedish or Danish).
Attachments: Digital attachments such as video, images or sound are shared via a link to Vimeo or YouTube.

Video recording guidelines - Only applies to music applicants

Master's applicants for performing music must, in addition to the project description, submit a self-produced video recording as part of round 1. Repertoire requirements for your instrument can be found in the articles below.

• Start recording yourself well before the submission deadline
• You are allowed to deliver several different videos, for example different works/pieces/songs and different movements can be recorded separately
• You are not allowed to edit within a single movement/song (does not apply to conducting)
• The video must contain the entire audition programme for round 1 and follow the established repertoire requirements
• Information about the length of the audition programme can be found under the repertoire requirements of the instrument/field you are applying for
• Audio files alone are not accepted
• The video must be uploaded on YouTube
• The video must be of recent date, and not older than 1 November 2024

Important!

Remember to film so that we see you, preferably your face, and not least see you play/sing/conduct. Remember that it is the applicant's responsibility to ensure that all links to the video(s) work. Check that the sound is OK and that you have uploaded the file to YouTube with the settings that give us rights to play it.

Notice! There is no guarantee that all of your recorded video material will be viewed by the Commission.

If you are applying to more than one instrument/field of study (for instance jazz and classical), you must submit two seperate videos with two seperate audition programmes.

Along with the video link(s), you must also share a short summary of the submitted video material; what you have recorded on video for round 1. In addition, you share your complete audition programme for a possible round 2, as well as notes for accompanist/band.

Please notice! If you want accompaniment from the faculty, and you choose a self-composed programme, the music/songs must be easily understood and read by the accompaniment groups/band. A song must be able to be presented on 1-2 pages, like a lead sheet!

Applicants living outside of Scandinavia

If you are resident outside of Norway, Danmark or Sweden, you can choose to submit the entire repertoire requirement on video as audition Round 1 and audition Round 2 (you will be asked in Specification form). Parts of the audition programme must be recorded with an accompanist/band. If you pass round 1, you will be invited to a digital interview as round 2 in week 10.
NB! The exception does not apply to applicants for conducting.

Deadline to submit the project description and video recording: 15. January.

If the commission finds your presentation eligible for further evaluation and you pass round 1, you will be invited to round 2 for the entrance exam in week 10 in Stavanger. Round 2 consists of entrance exam in music or dance, as well as an interview. The invitation to round 2 will be sent by e-mail in February.

Music - Round 2

A 30-minute audition with an interview is set aside for each applicant, and you must be prepared to have to perform the entire audition programme. The programme is performed with the faculty's accompanist/band.

The interview commission consists of a master commission and a representative from the study administration. Your submitted summary for the desired master's project forms a big part of the basis for admission for the master's study, and during the interview you will be able to outline a possible composition of the supervisor team. As an applicant, you will also have the opportunity to explain your goals and motivation for the study together with your plans for the master's project and your area of ​​artistic specialization.

• The Faculty of Performing Arts and our Campus Bjergsted are located just outside the center of Stavanger, in Bjergstedpark
• The entrance exam is held in the main building
• You will be notified in the invitation about a final deadline for attendance on your entrance exam day
• There will be attendance registration in the foyer in the main building
• You can find your exact time for auditions with interviews in the faculty's schedule system - the audition times are published at the end of week 9, but small changes may happen until the day of the auditions
• On the ground floor of the main building you will find several rooms for rehearsal
• The faculty offers accompanist/band to all auditions in round 2 as long as music sheets are submitted within 15. January

Applicants living outside of Scandinavia

If you are resident outside of Norway, Danmark or Sweden, you can choose to combine audition Round 1 and audition Round 2 (you will be asked in Specification form). Parts of the audition programme must be recorded with an accompanist/band. If you pass round 1, you will be invited to a digital interview as round 2 in week 10.
NB! The exception does not apply to applicants for conducting.

Dance - Round 2

Applicants who have their project description approved from round 1 will be invited to round 2 at the Campus Bjergsted in week 10.

Round 2 consists of the following:

a) the entrance exam is carried out with all applicants present:

• Presentation of the project will be carried out in a live format such as a performance lecture, workshop, performance or similar.
  Duration: approx. 15 - 20 min.
• Oral-practical presentation of your portfolio/CV.
  Duration: approx. 5 min.

Applicants who are selected to proceed to the next part of the entrance exam, will be notified at the end of each part/day.

b) interview for applicants deemed qualified after the last performance part:

• During the interview with the professional commission, the applicant will have the opportunity to ask questions. One will also go in depth on the applicant's project description, as a component of the assessment.

International applicants residence outside of Scandinavia:

International applicants residing outside Scandinavia (Norway, Sweden or Denmark) do not need to attend physically for round 2 in week 10 in Stavanger. Instead, you can choose to have a digital entrance exam in week 10:

• Presentation of the project will then be carried out on zoom in a format such as performance lecture, workshop, performance or similar.
  Duration: approx. 15 min.
• Oral-practical presentation of your portfolio/CV.
  Duration: approx. 5 min.
• Interview

Round 1

The master's programme has a comprehensive and versatile repertoire requirement for the main instrument. All applicants must fill in an audition programme for 20-30 minutes repertoire, where at least one work must have a high degree of difficulty. The programme must consist of different styles and genres that are relevant to the instrument. The 20-30 minute programme must otherwise be representative and should be in proportion to your new specialization area.

Round 1: Record at least 15-minutes from your total 20-30-minute audition programme. 

You will find important information regarding video requirements in the article Round 1 – Submission of Project description and Self-produced video. The deadline to submit the video is 15. January.

Round 2

Prepare the entire audition programme, including what was performed in the video.

The repertoire is performed with an accompanist in week 10.

Duration of the audition programme for round 2: approx. 20 - 30 min.

Read more about the entrance exam in the article called Round 2 - Entrance exam and Interview on Campus in week 10.

There are spesific guidelines for the repertoire/audition prorgamme for both Round 1 and Round 2 for the main instrument ''percussion''.

Choice of repertoire

For the auditions, you can choose between two different selections of repertoire: orchestral or soloist based. You must select one of the parts. The choice will guide the academic content in your study programme. The repertoire focus will not have consequences for any other parts of the study programme. The applicants for either of repertoire choices shall, in the event of admission, carry out ordinary study: participate in orchestral projects, soloist assignments and chamber music, as well as performing ordinary exam repertoire.

Round 1

The deadline to submit the video is 15 January.

Soloist oriented repertoire:

Recording must include at least 2 solo pieces.
Total lenght: minimum 10 minutes.

Orchestral repertoire:

Recording must include 4 orchestral excerpt + 2 studies.
Study pieces can be from typical orchestra rehearsals.

You will find important information about video recording in the article Round 1 – Submission of Project description and Self-produced video.

Round 2

Round 2 consists of a physical entrance exam and in interview in week 10 on campus Bjergsted in Stavanger. If you wish, parts of Round 2 can be performed with an accompanist.

Soloist oriented repertoire:

You will have to perform at least 2 solo pieces.
Total lenght: minimum 15 minutes.
NB: you cannot perform the same pieces as you recorded and submitted in the video for Round 1.

Orchestral repertoire:

You will have to perform at least 12 orchestral excerpt + 1 study.
NB: you cannot perform the same pieces as you recorded and submitted in the video for Round 1.

Read more about Round 2 in the article Round 2 - Entrance exam and Interview on Campus in week 10.

Please notice! Applicants residing outside Norway, Sweden or Denmark:

If you are an international applicant for classical percussion, living outside Norway, Sweden or Denmark, you can submit a new supplementary video with a set repertoire for round 2, instead of physical attendance in week 10. The supplementary video must be submitted by 20 February. The video can be maximum 3 years old. The case officer will send you a new email with a link for submitting a new video in the beginning of February.

Suggested list for soloist oriented repertoire

The repertoire list is only indicative, not mandatory.

Snare drum:

• J. Delécluse: Study no. 9
• B. Lylloff: Århus Study no. 9
• J. Delécluse: Test-claire

Timpani:

• S. Monrad: Test for timpani
• J. Delécluse: Study no. 29
• E. Keune: Study no. 142

Marimba:

• J. S. Bach: A movement from one of the partitas or the sonatas for violin
• A. Lauro: Valse Venezolano No. 3
• J. Druckman: a movement from Reflections on the Nature of Water

Suggested list for orchestral repertoire

The repertoire list is only indicative, not mandatory.

Snare drum:

• N. Martinciow: Impressions or Tchik
• J. Delécluse: Test Claire
• S. Hodkinson: Kerberos
• A. Masson: Prim or Kim
• M. Markovitch: Tornado

Timpani:

• J. Delécluse: one of the studies from Vingt études
• J. Delécluse: study no. 29
• B. Cambreling: Thor
• A. Féron: Ta'wil
• T. Ishiyanagi: Rhythm Graduatiom
• E. Keune: Study 142
• S. Monrad: Test for timpanists

Marimba:

• P. Hurel: Loops 4
• J. S. Bach: Chaconne from 2nd partita for violin (D minor)
• K. Abe: Marimba d'amore
• A. Vinao: Khan variations
• J. Druckman: Reflections on the Nature of Water
• B. Mantovani: Moi, Jeu
• Y. Sueyoshi: Mirage

Vibraphone:

• G. Burton (trans.: Errol Rackipov): Chega De Saudade
• G. Pérotin: Étude 6
• P. Hurel: Loops 2
• P. Manoury: Solo de Vibraphone
• M. Matalon: Short stories
• Donatoni: Omar, 1st movement

Multi-setup:

• B. Giner: Satz
• M. Ishii: 13 drums
• K. Volans: She who sleeps with a small blanket
• Y. Xenakis: Rebons A and B
• D. Land: The anvil chorus

Round 1

Video must be shared with the faculty within 15. January.

The video must include the following:

1. Conducting two works that have a contrasting musical character. Minimum 15 minutes
2. Recording of a rehersal lead by the applicant. Minimum 10 minutes
3. Main instrument. Optional repertoire, with or without accompaniment. If you perform more than one piece, recording of each single piece has to be unedited. The total repertoar shall be of approximately 10-15 minutes

Notice!

• The conductor's hands and face should be clearly visible in the video
• The ensemble/ensembles should consist of mimimum five musicians on a professional level, alternatively consisting of amateurs or students at a high musical/technical level

Round 2

Round 2 will consist of auditions in conducting, interview with a commission and a pracitcal test.

Conducting audition

Applicants will conduct a chamber ensemble consisting of strings, woodwind/brass and piano. The audition will consist of both rehersal and performance.

Repertoire:

• Aaron Copland: Appalachian spring (original score from 1944 for 13 musicians)
• Jean Sibelius: Valse triste

Interview/practical test:

A part of the interview will include a conversation about the repertoire for the conducted audition as well as a practical test that may contains the following:

• Aural (chords, melodies, rhythms, correction of played rhythms and pitches in relation to a score)
• Play a score on a piano
• Instrumentation and instrument knowledge: Scope, transposing and playing techniques (band and orchestral instruments)
• Repertoire insights (band and orchestra)
• Harmonic analysis
• Musical terminology

During the interview the applicant will talk about his/her objectives and motivation for the programme. There will also be an opportunity to ask questions to the assessment commission and a representative from the administration.

Read more about Round 2 in the article Round 2 - Entrance exam and Interview on Campus in week 10.

Round 1

Video must be shared with the faculty within 15. January.

The master's programme has a comprehensive and versatile repertoire requirement for the main instrument. There aren't any spesific guidelines for the audition programme for the main instrument, but it is important that you choose the repertoire that you are most comfortable with and that highlights your musical level, regardless of which of the relevant genres it belongs to. What you have to show off is your uniqueness and personality as a musician. The programme may be self-composed, but must be representative and should be in relation to your desired area of specialization. It is assumed that the audition programme demonstrates skills in improvisation.

Duration of audition programme: 20 - 30 minutes.
Record at least 15-minutes from your total 20-30-minute audition programme. 

You will find important information about video recording in the article Round 1 – Submission of Project description and Self-produced video.

Round 2

Prepare the entire audition programme, including what was performed in the video. The repertoire is performed with a band in week 10.

The faculty provides its own band for all auditions, but jazz applicants for Extension studies, Masters or PDM have the opportunity to provide their own band during round 2 of the audition if desired.

Read more about the entrance exam in the article called Round 2 - Entrance exam and Interview on Campus in week 10 .

Repertoire requirements master - Jazz/Improvisation

• The audition programme must be approx. 20 - 30 minutes long
• Round 1: send a recording of 15 minutes from your total audition programme
• Each recording (each song) should be delivered as a continuous, unedited recording that should not be more than 6 months old
• The video material must contain interaction. Exceptions can be made to this requirement if, for practical reasons, it is impossible to achieve interaction. If so, you must explain why it has not been possible
• The video material shall contain improvisation, so that you can clearly show your soloist and ensemble abilities. The extent of improvisation and the type of improvisation is up to yourself to decide, based on your musical profile and type of genre
• Together with the video material, you must submit music scores and you must submit a review of the audition programme for round 1 and round 2

The programme is characterised by diversity and is open to students at different stages of life, both students who have just completed a bachelor's degree and students who have already been active in working life for several years.

The study programme is taught in English and is open for applicants from the Nordic countries and internationally.

The study is open to style and genre within the four areas of dance, classical music, conducting and jazz/improvisation.

Admission to our master's programme requires that the applicant has a high level, as well as interest and great motivation to do advanced studies and develop further as a performing and creative artist.

Reservations are made that the faculty has available expertise for guidance and teaching within the applicants' chosen specialist area.

When can I apply?

Application period opens from 1. November until 15. December.
You apply locally through the application portal Søknadsweb.

Secondary admission is opened for certain instruments and studies that have available study places after the primary admission period.
Secondary enrollment is open from 15. April to 15. May.

Notice!

Our Master programme is possible as a part time study and can be completed over 3 years.

Applicants with citizenship outside the EU/EEA and Switzerland must pay tuition fees.

General admission requirements

Achieved bachelor degree

In order to be admitted to Master Degree in Performing Arts (120 ECTS) a completed Bachelor Degree in Music Performance or Dance (minimum 180 ECTS) is required. At least 90 ECTS of the Bachelor programme must consist of music or dance performance subjects.

English language requirement

Language requirements in English must be passed in accordance with UiS's regulations. The University of Stavanger has its own language requirements for admission to Master Degree in Performing Arts. You can read more about how you can meet the English requirement.

Entrance exam

In addition, applicants are required to pass a two-stage entrance exam: round one consists of a video submission, while round two involves a physical audition. A preliminary project description based on the master’s project template must also be submitted as part of the admission process and will be included in the overall evaluation.

During the entrance exam, interviews will also be conducted. These interviews are intended to discuss the potential composition of the supervisory team and to give applicants the opportunity to present their objectives and motivation for the programme, outline their plans for the master’s project, and describe their artistic area of specialisation.

After the entrance exams have been completed, the heads of department and the dean make an overall assessment of the applicants during the final decision meeting. The applicants are then assessed as qualified/not qualified based on the professional commission's assessments and rankings, submitted video material, submitted application documents, entrance exam and interview. Final admission is decided by the dean.

Qualified applicants are then offered a study place to the extent that there are available places on the applied study programme. If the faculty has more qualified applicants than the admission framework indicates that we can offer, the applicants are put on a waiting list based on the commission's ranking list

See supplementary rules for admission in the admissions regulations further down the page.

Admission letter, Rejection letter or Waiting list letter will be published in SøknadsWeb under ''My applications''. You will receive an e-mail when the results are ready.

If you have any questions about your offer, refusal or waiting list place, you can send us an e-mail to music-dance@uis.no. Please notice: the faculty does not give out information regarding placement on the waiting list.

If you fail to submit a successful application to the faculty within the deadline, your application will be withdrawn from the system.

Remember to reply

If you are offered letter of admission or waiting list letter you must remember to reply ''Yes'' or ''No'' in SøknadsWeb within the mentioned deadline. Information regarding deadline is shared in the admission letter/waiting list letter.

If something unforeseen should happen and you do not get the opportunity to submit a video for round 1 within the deadline, or cannot attend round 2, you will be able to transfer your application to our secondary admission.

It is important to remember that a secondary admission is only carried out for main disciplines and study places that are not filled after the primary admission. If the faculty has vacant study places, applications for individual studies will be opened on 15 April, with an application deadline of 15 May.

Round 2 of the secondary admission usually takes place at the beginning of June.

If you have completed any exams in courses from another place of study, you can apply to have these recognized to the programme you have applied admission for. However you cannot apply until you have an active student status at the university. The student status is activated in early August.

Pre approval of courses

In order for the commissoin to make a correct assessment of your application, it is important that you provide us with information about which courses you have completed and to which year you wish to be admitted. Remember to upload documentation (transcripts of grades and course descriptions with any reading lists) for already completed courses so that the commission can assess you to the level/year you wish to apply for.

If you are offered admission to the study programme you have applied for and accepted, you can apply for recognition of already completed courses through Digital Student Expedition. You will have access to Digital Student Expedition from the beginning of August when the admission has been established and you have completed semester registration and paid the semester fee.

The deadline for applying for recognition of courses is 20 August, but the sooner the better hence your adapted time schedule and educational plan.

Students with citizenship from a country outside of the EU/EEA and Switzerland are required to pay tuition fees at the University of Stavanger. 

Read more about the tuition fees.

1. Scope and basis for the regulations

The regulations applies to admission to the Master’s Degree in Performing Arts of 120 credits at the Faculty of Performing Arts, UiS, (UK/UiS) announced in the Nordic countries and internationally.

The admissions regulations for the Master’s Degree in Performing Arts are based on the Act relating to Universities and University Colleges (The Universities and University Colleges Act), of 01.08.2024 § 8-1 and FOR-2018-10-18-1671: Regulations on admission to higher education, and Regulations on admission to studies and courses at the University of Stavanger, §1-1.

2. Term definitions

Main discipline: dance performance, music performance, creative disciplines within dance and music
Entrance exam: includes, among other things, auditions, submitted materials (including a project description), and an interview.
Audition: audition on main discipline.

3. Admissions criteria

3.1 Applicants for Master’s Degree in Performing Arts must document the completion of undergraduate studies in music or dance, preferably a 3- or 4-year Bachelor's degree with at least 90 ECTS credits in instrumental or dance performance subjects.

3.2 Language proficiency in English must be passed in accordance with the UiS requirements. High-level English language proficiency is required, as all instruction will be conducted in English.

3.3 Applications for recognition/credit transfer of previous education must be submitted in accordance with the faculty’s guidelines. Credit transfer applications are normally pre-approved no later than at the time of the offer of admission.

The applicant must apply for approval of credit transfer after admission has been granted and the right to study has been established. Applications for credit transfer are submitted via the Digital Student Service. Further information is available on UK’s website. The application deadline for approval of credit transfer is August 20 in the year of admission.

4. Organization of the entrance exam in music or dance at the Faculty of Performing Arts

4.1 The entrance exam for the Master’s Degree programme in Performing Arts consist of two segments. Both segments are conducted based on defined requirements published on the UK Faculty’s website.

For applicants with dance as their main discipline, segment 1 consists of a project description.

For other applicants, segment 1 consists of a self-produced video recording and a project description.

Segment 2 is conducted in person at Campus Bjergsted in week 10.

4.2 Applicants who have passed segment 1 are invited, at least 2 weeks in advance, to segment 2.

4.3 Depending on the number of applicants, segment 2 takes place over 2 - 3 days.

For applicants with dance as their main discipline segment 2 consists of:
a) audition: presentation of the project carried out in a live format such as a lecture performance, workshop, performance, or similar.

Applicants selected to proceed to the next part of the audition will be notified at the end of each audition segment and/or audition day.
b) interview for applicants deemed qualified after the performance audition.

During the interview with the academic committee, the applicant will have the opportunity to ask questions. The applicant's project description will also be discussed in depth as part of the assessment criteria.

For other applicants, segment 2 consists of:
a) audition on their main discipline. In special cases, it will be possible to refer to previous productions instead of or addition to this.
b) interview

During the interview with the academic committee, the applicant will have the opportunity to ask questions. The applicant's project description will also be discussed in depth as part of the assessment criteria.

4.4. International applicants residing outside the Nordic region may seek an exemption from attending the in-person audition and interview. In such cases segment 2 will be conducted digitally. (see point 11).

5. Academic committee

5.1 A commission for each main discipline is appointed by the Head of Department and consists of a minimum of two teachers, of whom at least one must represent the main discipline in which the applicant is being assessed. The administrator may be one of the present teachers or an additional representative from the administration. The academic members of the committee have the right to speak and contribute to the assessment.

Student representatives are appointed by the student council at UK. The applicant is given the opportunity to decide whether the student representative will be present during the audition and the subsequent interview. The student representatives serve as observers without speaking rights during the audition. During the interviews, the committee chair may invite the student representative to give their input.

5.2 The committee is responsible for:
1) assessment of applicants’ qualifications and skills.
2) ranking of applicants (see point 6).

The committee evaluates applicants as either passed or not passed. The committee then ranks the applicants based on the results from the performance auditions and interview, within the main discipline and/or instrument group. The results are compiled by the local admissions office and presented to the Heads of Department and the Dean. In the final decision meeting, applicants are deemed qualified or not qualified. The final decision is made by the Dean.

6. Ranking

6.1 Applicants are ranked according to specific ranking criteria based on the academic assessment of the committee.

6.2 Following academic evaluation, the committee may propose that an applicant be admitted to a different study programme than they originally applied for.

7. Admissions procedure

7.1 Assessment of formal qualifications and admission requirements is carried out by the admissions officer.

7.2 Assessment of Entrance exam (audition and interview) is carried out by the academic committee.

7.3 The Heads of Department and the Dean conduct an overall assessment of the applicants. Applicants are evaluated as qualified or not qualified based on the submitted video material and other application documents, the auditions during the audition week, the interview, and the assessments and rankings provided by the academic committee.

7.4 The Heads of Department present a proposal for admission of qualified applicants to the Dean, based on the faculty's capacity and needs within the specific disciplines. Final admission decisions are made by the Dean.

The Dean determines admissions according to:
• assessment and ranking by the commission and head of department
• considerations related to instrumental/vocal ensemble composition
• resource considerations

7.5 Qualified applicants are offered a place of study to the extent that there are available spots in the programme they have applied to. If the faculty has more qualified applicants than the admission capacity allows, applicants will be placed on a waiting list based on the committee’s ranking.

7.6 If there are vacant study places after the primary admissions round, the head of department may decide to hold a secondary admission round. Supplementary admissions can also be made by the head of department, with the final decision by the Dean.

7.7 Qualification for admission in a particular academic year does not grant qualification for future admission.

7.8 The admissions process is confidential and exempt from public disclosure.

8. Admissions follow-up

8.1 Applicants are informed of either an offer of admission to the programme, placement on the waiting list or rejection.

8.2 If an applicant does not confirm an offer of admission within the given deadline, their place will be offered to another qualified applicant.

8.3 For students with an allocated study place who have been granted a leave of absence from performance studies for one year or more, an assessment of their relevant skill level may be conducted after the leave has ended. Regardless of the outcome, the student will retain their study place.

8.4 The startup for an incoming first-year class in the programme is dependent upon factors such as group size and financing.

9. Postponed entrance exam

9.1 Applicants who due to illness or other unforeseen circumstances cannot attend the primary entrance exam at the stipulated time and place may apply for a postponed exam. The postponed entrance exam will normally be carried out in connection with the Faculty's secondary admissions round, if there are still available places in the programme.

10. Secondary admissions round

10.1 A secondary admission may be held if there are available study places following the primary admission. This secondary admission is intended for applicants who were unable to attend the primary entrance exam, as well as for any new applicants (cf. points 4 and 5).

10.2 Applicants who have undergone the primary entrance exam are not allowed to retake the exam/audition during a secondary admission round.

10.3 Admission of secondary applicants is decided by the Head of department and the Dean in accordance with the same procedure as mentioned in paragraph 7.

11. Video recording and digital interview as a basis for admission assessment round 2

11.1 For applicants with dance as their main discipline who reside outside the Nordic countries, a digital presentation of the project combined with a digital interview may replace the in-person audition and interview.

11.2 For other applicants residing outside the Nordic countries, an unedited video recording with high-quality sound and image of the main discipline audition, along with a digital interview, may replace the in-person performance audition and interview. The video recording must comply with the specific requirements published on UK’s website. This option does not apply to applicants for the conducting programme.

12. Admission of exchange students

12.1 International students who wish to study for a limited period through an exchange programme are assessed academically by members of the dance faculty.

An offer of admission as an exchange student is based on:
• an unedited video recording with high quality sound of approximately 10 minutes showing the student's level
• submitted application documentation

13. Right of appeal

13.1 Individual decisions made pursuant to these regulations may be appealed pursuant to sections 28-32 of the Public Administration Act. The deadline for appeal is 3 weeks from the day the admissions results are published, or 3 weeks after receipt of reasons given for the decision.

13.2 Appeals against individual decisions regarding admission to programmes that are not included in the Norwegian Universities and Colleges Admission Service (Samordna opptak) are considered by the Appeals Board of the University of Stavanger pursuant to Sections 5-1 of the Act relating to Universities and University Colleges.

13.3 Complaints about formal errors in the admissions process are first handled by the Faculty of Performing Arts. If the Faculty upholds the original decision, and the applicant chooses to continue the appeal, the appeal will be forwarded to the university's appeals board. Pursuant to Sections 28 and 29 of the Public Administration Act, decisions may be appealed in writing within 3 weeks of the date of receipt of notification of the decision. The appeal must be sent to the University of Stavanger.